Session 16

Environments: Part III

Here is everything you get!!

-3 Structured HD Video Tutorials with commentary, annotations, and detailed process demonstration: Krag (67 min.), In Love With a Spy (63 min.), and Eagle Eyes (60 min.)!!

-Explanations and demonstrations on stylization/design process, color approach, and step by step instruction to create environment concepts for game, film and animation.

- Timelapse Videos (3 .MOVs)

- Full Res Images (3 JPGs)

- Raw PSD Files, including all layers!!! (3 PSD Files)

-BONUS GOODIES!!: Krag temperature options (2 separate images) and massive bounce light tutorial. Plus demos covering gritty mist/fog and presenting multiple color variations demos (2 JPGs and 3 PSDs)

You'll learn:

-to build immense environments

-to paint in families

-to present viable color options 

-to paint painterly and rendered styles

-to emphasize scale

-to lay in bold shadow shapes

-to paint light direction into form

-to approach fog and mist with artistry

-to create immense atmo, depth and scale

-to build value scenes with shape preparation

-to create interesting shapes within your composition

-to connote emotions through stereotypes and memories

-to suggest direct light over large mountain masses

-to maximize volume when painting mist

-to reveal form using shadow shapes

-to paint different times of day using sky color

-to easily choose cloud colors when painting atmosphere

-to paint atmospheric perspective with ease

-to paint with active and passive color

-to build up a focal point

-to light a scene using an off screen light source

-to balance a design with shape and line

-to create rhythm/balance within your work

-to build a composition from line, values and temperatures

-to conceptualize ideas for an executive or director

-to compose a final "moment" with color and light

-to push atmospheric perspective with an eye for story

-to add scale and depth to a scene

-to suggest detail without overworking

-to render complex shapes

-to retain vivid colors from rough to finish

-to add final touches using modes and PS adjustment layers

-to provide the best option for presentation

-to commit to an idea and carry it through

-to facilitate coherent technique throughout a piece

-to build paint in light